Consultant, facilitator, adviser
Arts Council Collection
Arts Council of Ireland
Arts Council Wales
Arts Development Company
Australian High Commission London/UK-AU Season 2021
Barking and Dagenham Collective
Chichester District Council/Season of Culture 2022
Culture Reset/people make it work
Dance City Newcastle
East London Dance
Edinburgh International Festival
Federation of Drama Schools
Llangollen International Musical Eisteddfod
London Borough of Hammersmith and Fulham
MENA Arts UK
National Theatre of Parramatta
New Earth Theatre
National Youth Orchestra of Great Britain
Phoenix Dance Theatre
Regents Park Open Air Theatre
Rose Bruford College
Scarborough Borough Council
Shoreditch Town Hall
Studio 3 Arts
Theatre Royal Plymouth
Trowbridge Town Hall
Vincent Dance Theatre
Teatr Pieśń Kozła's Macbeth (2010), directed by Grzegorz Braal, for which Nash produced an English tour, including a Barbican season and national symposium. Photograph Krzysztof Bielinski.
British Council 2011 - 2020
Creative Director (London)
Director Programmes Development Arts (London)
Director Arts Wider Europe (Istanbul)
Bolero (2014) was a co-production between Nottingham Playhouse, Sarajevo War Theatre and ODA Theatre Pristina. Developed with British Council during Nash's time as Director Arts for Wider Europe, it was directed by Michael Pinchbeck and designed by Sarah Lewis. Photograph Julian Hughes.
Director, The Point Eastleigh
(Eastleigh Borough Council) 2005 - 2009
Establishing an associate artist scheme at The Point, Nash was also joint lead on the £3m development of its 145m² residential creation space which opened in November 2009. Photograph Eastleigh Borough Council.
Producer, Northern Stage
(Newcastle Playhouse) 2004 - 2005
Kaput by Margaret Wilkinson (2005) was a co-production between Northern Stage and Live Theatre, Newcastle. It was directed and designed by Neil Murray with lighting by Malcolm Rippeth. Photograph Keith Pattison.
Director, Australian Dance Council
(Ausdance NSW) 2001 - 2003
As director of the state advocacy body for dance in NSW, Nash established the Critical Path programme for performance research in a former naval drill hall on Sydney Harbour. In 2010 he was asked to return to undertake an extensive impact study of the programme. Photograph Heidrun Lohr.
Drama & Dance Projects Manager,
British Council (London) 1997 - 2000
Akram Khan in his solo Loose in Flight (2000). For British Council Nash organised Khan's first international solo and company performances as a contemporary dance artist. Photograph Chris Nash.
Programme Manager, Dance Umbrella
1995 - 1997
Pre-production shot for Genesis Canyon, a site-specific work created for the Natural History Museum by Stephan Koplowitz which opened the Dance Umbrella Festival in 1996. Photograph Chris Nash.
Dancer 1981 - 96
Cycles Dance Company
Dance Gallery, USA
Gregory Nash Group
Mantis Dance Company
Michael Clark Company
Sue MacLennan's Occasional Dance Company
Rizzio in Mary Queen of Scots Got Her Head Chopped Off by Liz Lochhead, Contact Theatre Manchester 1992. Dir. Brigid Larmour
Nash in Momentum Rush, created for his own company in 1986 during a residency at Yorkshire Dance Centre, Leeds. Costume design by John-Paul Philippe. Photograph Chris Nash.
Choreographer 1984 - 1994
Gregory Nash Group
Scottish Chamber Orchestra/James Macmillan
Youth and community dance companies across the UK
Choreographer in residence Contact Theatre Manchester (1991-93), Third Eye Centre/CCA Glasgow (1988-90) and Yorkshire Dance Centre Leeds (1986)
Chisenhale Dance Space 1992
Contact Theatre, Manchester/Yorkshire Sculpture Park 1993
Bluecoat Arts Centre, Liverpool 1984
Glasgow 1990 European City of Culture/Tramway
Leeds City Art Gallery 1990
Mappin Art Gallery, Sheffield 1988
National Youth Dance Festival/Yorkshire Sculpture Park 1986
Handel's Julius Ceasar at Opera Australia/Sydney Opera House (1994). Nash was choreographer for the production which was directed by Francisco Negrin and designed by Anthony Baker. Photograph Branco Garcia.
Movement Director 1988 - 1995
Citizens Theatre, Glasgow
Contact Theatre, Manchester
Lyceum Theatre, Edinburgh
Pocket Theatre Cumbria
Traverse Theatre, Edinburgh
Alan Cumming as Pip in TAG Theatre Company's 1988 production of Dickens' Great Expectations adapted by Jo Clifford. Nash co-directed the production with Ian Brown. Photographer unknown.
Universities of Birmingham, Coventry, Glasgow, Singapore and Western Sydney. Bretton Hall College, De Montfort University Leicester, Hong Kong Academy of Performing Arts, Manchester Metropolitan University, Queensland University of Technology Brisbane, Theatre School Amsterdam, Victorian College of the Arts Melbourne.
Articles for Animated, Dancing Times, International Arts Manager, New Dance Magazine, Real Time Australia, Total Theatre. Presentations/panels throughout the UK and in Adelaide, Beirut, Belgrade, Istanbul, Hong Kong, Madrid, Melbourne, Montreal, Sydney, Taipei, Tashkent, Tokyo and Yerevan.